I made the green picture first to test the frame idea. It’s 100% polymer clay with a little acrylic paint to antique the frame.
The back is inspired by the ubiquitous slate walls in this area.
For the next pendant I used marbled polymer clay to form the landscape which I accented with a bit of texture, and painted in the details of the sheep and background walls.
Again the back was inspired by dry stone walls.
The last pendant is larger, more of a medallion than a miniature painting. Again I started with marbled polymer clay to form a basic landscape which I accented using heat set paint.
The bail and edging is intended to suggest the dry stone walls.
The pendant is a hollow lentil which I made in two parts and joined together. The back makes slightly less sense as it is from a sheet of kaleidoscope cane veneer that I had left over on my work surface. It makes a nice pendant on its own, but perhaps it doesn’t work with the rustic stone edging. However, instead of making a more refined faux metal bail, I decided to be true to the front of the pendant. It probably would have made more sense to make a faux stone back too.