The Thunderbird necklaces from my previous post have now evolved into these mosaic pendants.
Polymer clay mosaic pendants by Cate van Alphen
Initially these started because I decided to squish all the off-cut scraps from making the Thunderbirds into some fresh raw clay to make new sheets to use for mosaics. I had yellow and orange on my table at the time so that’s what I made. Because I didn’t know how the baked scraps combined with new clay would hold together when cutting into tesserae I decided to make some simple geometric shapes. I also added some deco beads for shine and to give a contrasting texture.
So, yes, I do have a favourite child here – the yellow and orange one appears in every photo! It’s the last one I made and I like the Art Deco look. I also used some bigger off-cut chunks (from carved beads) with fewer deco beads hidden in the spaces.
Pendant closeup.
The edges of the tessera are pretty rough. I could probably improve this by warming the clay before cutting, or sanding the edges, but I quite like them like this. I think it adds character. Anyhow it’s very fulfilling when all the little pieces come together and seem to fit.
When the schools closed in March and I suddenly became a full time teacher, we continued the topic that my daughter had started at school which was Native Americans. Unsurprisingly my thoughts turned to their jewellery, in particular my grandmother’s Thunderbird necklace that she bought in New Mexico in 1946.
Polymer clay Thunderbird necklace by Cate van Alphen
The family legend is that she met man selling necklaces for tourists but she wanted the one he was wearing as it was far superior. He said he couldn’t possibly sell it to her because it was his Thunderbird and without it he wouldn’t be protected. However she was determined and insisted on buying the one he was wearing rather than any of the others. After some persuasion he reluctantly agreed on condition that she go with him back to his house so he could put on a new Thunderbird so that he could safely take off the one he was wearing. Based on this article, this may have been a colourful story for a silly tourist. Nevertheless she treasured it and proudly wore the necklace when she dressed to impress and it has left me with a lasting impression of the Thunderbird as a powerful symbol of protection.
Polymer clay Thunderbird pendant by Cate van Alphen
Which takes us back to the start of the Coronavirus lockdown, when everyone was stunned, scared and separated. I needed a project to get me out of bed in the morning and we all needed something to make us feel safer. I decided to create a Necklace Club for the ladies in my family and send each of them a handmade necklace as a physical link between us. I chose to make polymer clay Thunderbirds in memory of my grandmother and because I wanted something with a strong visual style to unite the individual necklaces.
Polymer clay Thunderbird necklace by Cate van Alphen
Before she died, my grandmother decided to send her necklace home to a museum in New Mexico so I don’t have any photographs of it. I relied on my memories of it and a google search of images which reminded me of what I remembered. There was such a variety that every pendant ended up a little bit different.
Once I had all the pendants made, my sister in South Africa did a remote calibration on them to give them each an intention of healing and protection for the wearers. Hopefully this will also cover the postal journey that some of them are still making to South Africa!
I ended up making 12 pendants and strung the necklaces according to the preferences of the individuals receiving them. Some are chokers, some are part beaded on adjustable satin cords and some are fully beaded and long enough to slip over the head.
As a bonus reference to the crazy time in which I made these, I thought this handful of faux heishi beads looked like tiny loo rolls which made me laugh. For some reason toilet rolls were a big thing here in the UK. These are my first batch and are are a bit rough but I figured out some techniques to make them better. Hopefully I’ll get a tip tutorial done about that soon.
May you and your family circles stay safe and well.
This week’s vessel is more of a techniques sampler than a harmonious object. Some of the things I tried have potential and others not so much.
The ruffled neck of the jar is starting to work, but next time I think I need to do that first and then work on the rest of the jar afterwards to get a more harmonious shape. The feet slipped when I put the jar into the oven on so, in addition to its other problems, the jar tilts to the side slightly.
Because I was planning to do the ruffled top, I did the base of the jar first and it doesn’t look right as a whole. I do like the frilly feet, but not on this jar.
This week I’m slightly early for my Polymer Clay Challenge piece because it’s nearly time to start the next colour – green. I made toggles this week. I kept it fairly simple because I knew I didn’t have much time to work on it. I wanted to make something to go with my retro beads.
Yellow focal toggle by Cate van Alphen
I used the cut and replace technique from Anke Humpert’s class on the Virtual Retreat. It’s the same on both sides, but I think it would be interesting to try contrasting colours on the reverse.
Mosaic focal toggle by Cate van Alphen
The mosaic focal toggle happened by accident because my on my first attempt the clay was a bit thin. Adding shards of polymer clay helped add some thickness and I like the look of it too 🙂
Fulgorine 