Here’s a video showing my method of making polymer clay beads using a core of scrap clay and a decorative veneer on the outside. Previously I did a picture tutorial of this technique.
I’ve always struggled to photograph my necklaces showing their scale on a human. I’ve had a mannequin for a while, but I’ve never really known what to dress her in, and it didn’t seem right leaving her naked. Therefore I decided to give her the same treatment as my necklace display and cover her with paper patchwork.
As you can see I built in some paper mache clothing. I wasn’t worried that she’d look naked once covered in paper, but I thought it would be useful to have a neckline for judging a necklace’s length.
I monoprinted the paper using my gelli plate before tearing it into pieces which I glued on. I wanted to make something that was interesting but subtle enough to act as a background.
I haven’t quite decided if the patchwork is too distracting. Here is another necklace made with my polymer clay beads for you to consider. What do you think?
I’m not a massive fan of Halloween (I don’t like the idea of teaching kids to ask for sweeties), but my children are. Last year my daughter insisted on keeping a small squash on her windowsill until it decayed. This year, after months of nagging, I decided to make something more permanent from polymer clay.
They are hollow led tea light holders with jack-o-lantern faces. I used sketches by the children as inspiration. I tried to keep the lively wobbles from the drawings but I did need to make the edges a bit more simple.
These are mixed media. I started with a layer of gum tape paper mache, foil armatures to build up the bulges on the pumpkin, plaster bandages to give a rigid surface and finally an outer layer of polymer clay.
These took about three days to make, with drying times, and figuring out how to make the lids. Maybe by next Halloween I’ll have made a tutorial to share with you.
Just to make them extra cheesy, I used glow-in-the-dark polymer clay to outline the features.
Here’s a video showing the technique I use to create a sheet of polymer clay mokume gane using a variety of stamps. I’m working on another video showing some things you can make with your finished sheet. I’m due to get a new phone tomorrow so the quality of the video footage should improve soon (although I still have a few demos that I have already filmed which are waiting for editing).
Here are some earrings I made using the sheet so you can see it all nicely sanded and finished. I have another video with a tip for sanding when there is wire embedded in your polymer clay.
The other is a restringing of a bead I made ages ago. I think the simpler setting on a cable choker helps focus on the vibrant colours.
I’ve been working on some fuchsia and lime polymer clay earrings. Here’s a selection of them (they do have partners, but I couldn’t fit them all in the photo):
My favourite pair is these green ones with a new shape bead that I like to think of as snails. I’m tempted to keep them, but I don’t wear much green. Maybe I’ll make another pair in a different colour.
I made a necklace. I like the beads, and I like the necklace but sadly I have a horrible suspicion that I’m going to dismantle it.
It’s an asymmetric necklace with a mix of different shaped beads in different sizes. It works well on the beading board, the problem is when it’s on a body…
… the square shaped beads lie horizontally instead of face on. See that pesky bead at the bottom? What do you think, is this a feature or a fail?
I like the big square beads, but I now realise the hole needs to be offset if they are to hang correctly at the bottom of a necklace. I should have remembered this from my big lentil necklace. The weight of the necklace is all wrong if I rotate it so that the square beads are on the side instead.
It works quite well as a multi-strand bracelet provided that you don’t move your hand at all. I’m trying to decide if I should take the necklace apart and use the beads to make four stacking bracelets instead.
I’ve just finished a commission for a wishpot which has helped me work out some of the technical issues I’ve had with stringing them. I began making these several years ago so I’ll show you some highlights in their evolution. Apologies for the quality on the older photos, I’ve tried to fix the colour balance.
This mother of pearl effect wishpot was one of the first I made. It is strung directly on the necklace. The bead stopper can be lifted to open the wishpot. The necklace string keeps it in place when it’s being worn.
There were a few things I didn’t like about this design. Firstly the necklace needs to be thin in order for the bead lid to be opened (the stopper bead plus cord on either side needs to fit through the mouth of the pot). Also unless it is a specific commission I get stressed about choosing the length for a necklace.
For my next version, I wanted the pendant to go on a thicker kumihimo cord. Since there was no hope of this going through the opening of the wishpot, I put it on a ribbon that created a bail to hang on the necklace. I included lengths of ribbon in the necklace to link the design together. This version was better, but still not massively versatile – I couldn’t picture the ribbon working on something like a chain.
My latest necklace was for a wishpot on a mala necklace. I used beads made from imfibinga seeds. The necklace needed a specific number of beads which made it pretty long. I wanted a way to allow the necklace to be shortened without adding a clasp. My solution was to add a button toggle to the wishpot attachment.
This means the necklace can be doubled over and the wishpot used to attach the two sides together. The wishpot can now also exist independently, so for example you could pop it in your pocket or wear it on a belt loop.
The thin nylon cords still allow the pot to be opened. and the bead and macrame knotted button hole on either side keep the pieces together. Hooray! It finally feels like all the pieces of this design make sense!
My blog has been a bit quiet while I sort out a backlog of chores at home and excavate my workspace. Part of this process has been getting my jewellery listed online (it’s not entirely logical but I feel like I can’t make new stuff if there is nowhere for my existing things to go). The good news is that I have finally gotten some of my vintage teacup inspired earrings listed in my shop. I made them a few years ago, so here’s a reminder.
I have also finally completed a little tutorial video. It’s just a small tip for sanding your polymer clay when there is wire embedded in it (like for the triangle shaped pieces pictured above in the last row). It’s currently available as a preview for my Patreon subscribers, but I’ll be making it public soon.